[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/core\/themes\/stable9\/css\/views\/views.module.css?tgrp2r"}]},{"command":"css","selector":".poursuites-de-lecture-cartes","argument":{"display":"none"}},{"command":"insert","method":"html","selector":".poursuites-de-lecture-articles .results","data":"\u003Cdiv class=\u0022view view-poursuites-de-lecture view-id-poursuites_de_lecture view-display-id-article_papier\u0022\u003E\n  \n    \n      \n      \u003Cdiv class=\u0022view-content\u0022\u003E\n      \u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-17102\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/de-la-grande-guerre-%C3%A0-la-tch%C3%A9tch%C3%A9nie-la-manipulation-des-images\u0022\u003E\n              \u003Cspan\u003EDe la Grande Guerre \u00e0 la Tch\u00e9tch\u00e9nie - La manipulation des images\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n                  Une    Mater dolorosa    serrant dans ses bras un enfant mort ou meurtri : l\u0026#039;image choque, indigne, apitoie. Elle nous est aujourd\u0026#039;hui ass\u00e9n\u00e9e pour illustrer le conflit tch\u00e9tch\u00e8ne. Elle fait partie, depuis 1914, de l\u0026#039;arsenal oblig\u00e9 de la\u2026\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/auteur\/laurent-gervereau\u0022\u003ELaurent Gervereau\u003C\/a\u003E dans \u003Ca href=\u0022\/parution\/mensuel-240\u0022\u003Emensuel 240\u003C\/a\u003E\n                                            dat\u00e9 f\u00e9vrier 2000\n                                        \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-41750\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/livres\/1891-les-t%C3%AAtes-coup%C3%A9es-de-bakel\u0022\u003E\n              \u003Cspan\u003E1891 : les t\u00eates coup\u00e9es de Bakel\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n              Au XIXe si\u00e8cle, la photographie a transform\u00e9 le rapport des soci\u00e9t\u00e9s aux guerres lontaines.\r\n\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/auteur\/sylvain-venayre\u0022\u003ESylvain Venayre\u003C\/a\u003E dans \u003Ca href=\u0022\/parution\/mensuel-475\u0022\u003Emensuel 475\u003C\/a\u003E\n                                            dat\u00e9 septembre 2020\n                                             - 303 mots\n                          \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-17067\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/portrait\/les-afriques-de-raymond-depardon\u0022\u003E\n              \u003Cspan\u003ELes Afriques de Raymond Depardon\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n              S\u0026#039;il parcourt le monde, le photographe Raymond Depardon revient toujours \u00e0 l\u0026#039;Afrique. Depuis les ann\u00e9es 1960, il fixe les sourires comme les famines. Avec une double ambition\u0026amp;nbsp;: le r\u00e9alisme et l\u0026#039;humanit\u00e9. Sa fa\u00e7on \u00e0 lui d\u0026#039;approcher l\u0026#039;histoire.\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/auteur\/sabah-rahmani\u0022\u003ESabah Rahmani\u003C\/a\u003E dans \u003Ca href=\u0022\/parution\/mensuel-307\u0022\u003Emensuel 307\u003C\/a\u003E\n                                            dat\u00e9 mars 2006\n                                        \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\n    \u003C\/div\u003E\n  \n        \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n    \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n    \u003Cul class=\u0022pagination\u0022\u003E\n                                                        \u003Cli class=\u0022 active\u0022\u003E\n                                          \u003Ca href=\u0022?page=0\u0022 title=\u0022Page courante\u0022 aria-current=\u0022page\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003E\n              Page courante\n            \u003C\/span\u003E1\u003C\/a\u003E\n        \u003C\/li\u003E\n              \u003Cli class=\u0022\u0022\u003E\n                                          \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to page 2\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003E\n              Page\n            \u003C\/span\u003E2\u003C\/a\u003E\n        \u003C\/li\u003E\n              \u003Cli class=\u0022\u0022\u003E\n                                          \u003Ca href=\u0022?page=2\u0022 title=\u0022Go to page 3\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003E\n              Page\n            \u003C\/span\u003E3\u003C\/a\u003E\n        \u003C\/li\u003E\n                          \u003Cli class=\u0022pager__item--ellipsis\u0022 role=\u0022presentation\u0022\u003E\u0026hellip;\u003C\/li\u003E\n                          \u003Cli class=\u0022next\u0022\u003E\n          \u003Ca href=\u0022?page=1\u0022 title=\u0022Aller \u00e0 la page suivante\u0022 rel=\u0022next\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003EPage suivante\u003C\/span\u003E\n            \u003Cspan aria-hidden=\u0022true\u0022\u003ENext \u203a\u003C\/span\u003E\n          \u003C\/a\u003E\n        \u003C\/li\u003E\n                          \u003Cli class=\u0022pager-last\u0022\u003E\n          \u003Ca href=\u0022?page=15\u0022 title=\u0022Aller \u00e0 la derni\u00e8re page\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003EDerni\u00e8re page\u003C\/span\u003E\n            \u003Cspan aria-hidden=\u0022true\u0022\u003ELast \u00bb\u003C\/span\u003E\n          \u003C\/a\u003E\n        \u003C\/li\u003E\n          \u003C\/ul\u003E\n  \u003C\/nav\u003E\n\n          \u003C\/div\u003E\n","settings":null},{"command":"css","selector":".poursuites-de-lecture-articles .ico-arrow-r","argument":{"display":"block"}},{"command":"css","selector":".poursuites-de-lecture-articles .ico-arrow-l","argument":{"display":"none"}},{"command":"css","selector":".poursuites-de-lecture-articles","argument":{"display":"block"}},{"command":"css","selector":".poursuites-de-lecture-parutions","argument":{"display":"none"}},{"command":"insert","method":"html","selector":".poursuites-de-lecture-bouton-tag","data":"\u003Ca href=\u0022\/tags\/photographie\u0022 class=\u0022btn btn-primary text-right float-end\u0022\u003EPhotographie\u003C\/a\u003E","settings":null}]