[{"command":"add_css","data":[{"rel":"stylesheet","media":"all","href":"\/core\/themes\/stable9\/css\/views\/views.module.css?th31tr"}]},{"command":"css","selector":".poursuites-de-lecture-cartes","argument":{"display":"none"}},{"command":"insert","method":"html","selector":".poursuites-de-lecture-articles .results","data":"\u003Cdiv class=\u0022view view-poursuites-de-lecture view-id-poursuites_de_lecture view-display-id-article_papier\u0022\u003E\n  \n    \n      \n      \u003Cdiv class=\u0022view-content\u0022\u003E\n      \u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-27383\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/limpressionnisme-au-mus%C3%A9e-laffaire-caillebotte\u0022\u003E\n              \u003Cspan\u003EL\u0026#039;impressionnisme au mus\u00e9e : l\u0026#039;affaire Caillebotte\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n              En 1894, le peintre Gustave Caillebotte l\u00e9guait \u00e0 l\u0026#039;Etat la fabuleuse collection de toiles impressionnistes qu\u0026#039;il avait r\u00e9unie pendant sa vie. Mais tous les tableaux ne purent \u00eatre expos\u00e9s au mus\u00e9e du Luxembourg, destinataire du legs. Pourquoi? Faut\u2026\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/parution\/mensuel-158\u0022\u003Emensuel 158\u003C\/a\u003E\n                                            dat\u00e9 septembre 1992\n                                        \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-28239\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/van-gogh-%C3%A0-paris\u0022\u003E\n              \u003Cspan\u003EVan Gogh \u00e0 Paris\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n              Un si\u00e8cle apr\u00e8s sa mort, Van Gogh est devenu le peintre le plus cher du monde. Ses contemporains, en revanche, l\u0026#039;ont compl\u00e8tement ignor\u00e9: l\u0026#039;artiste n\u0026#039;aurait vendu, semble-t-il, que deux tableaux de son vivant. L\u0026#039;exposition \u00abVan Gogh \u00e0 Paris\u00bb,\u2026\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/auteur\/laurence-bertrand-dorl%C3%A9ac\u0022\u003ELaurence Bertrand Dorl\u00e9ac\u003C\/a\u003E dans \u003Ca href=\u0022\/parution\/mensuel-110\u0022\u003Emensuel 110\u003C\/a\u003E\n                                            dat\u00e9 avril 1988\n                                        \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022carte-teaser\u0022\u003E\n  \u003Cdiv id=\u0022node-25574\u0022 class=\u0022thumbnail\u0022 \u003E\n    \u003Cdiv class=\u0022caption\u0022\u003E\n      \u003Cdiv class=\u0022caption-content\u0022\u003E\n        \u003Cdiv class=\u0022caption-body\u0022\u003E\n\n          \u003Ch2 class=\u0022title title9 text-center\u0022\u003E\n            \u003Ca class=\u0022text-decoration-none\u0022 href=\u0022\/quand-monet-promit-les-%C2%AB-nymph%C3%A9as-%C2%BB-%C3%A0-clemenceau\u0022\u003E\n              \u003Cspan\u003EQuand Monet promit les \u00ab Nymph\u00e9as \u00bb \u00e0 Clemenceau\u003C\/span\u003E\n\n            \u003C\/a\u003E\n          \u003C\/h2\u003E\n\n                      \u003Cdiv\u003E\n              12 novembre 1918 : Monet entend t\u00e9moigner son amiti\u00e9 et sa reconnaissance \u00e0 Clemenceau. Il lui promet de l\u00e9guer \u00e0 l\u0026#039;\u00c9tat la s\u00e9rie de toiles qu\u0026#039;il est en train de peindre. Et auxquelles il a d\u00e9j\u00e0 donn\u00e9 un nom : les Nymph\u00e9as...\n            \u003C\/div\u003E\n          \n                      \u003Cdiv class=\u0022article-infos pt-4\u0022\u003E\n                              \u003Ca href=\u0022\/parution\/mensuel-226\u0022\u003Emensuel 226\u003C\/a\u003E\n                                            dat\u00e9 novembre 1998\n                                        \u003C\/div\u003E\n          \n        \u003C\/div\u003E\n      \u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\n    \u003C\/div\u003E\n  \n        \u003Cnav class=\u0022pager\u0022 role=\u0022navigation\u0022 aria-labelledby=\u0022pagination-heading\u0022\u003E\n    \u003Ch4 id=\u0022pagination-heading\u0022 class=\u0022visually-hidden\u0022\u003EPagination\u003C\/h4\u003E\n    \u003Cul class=\u0022pagination\u0022\u003E\n                                                        \u003Cli class=\u0022 active\u0022\u003E\n                                          \u003Ca href=\u0022?page=0\u0022 title=\u0022Page courante\u0022 aria-current=\u0022page\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003E\n              Page courante\n            \u003C\/span\u003E1\u003C\/a\u003E\n        \u003C\/li\u003E\n              \u003Cli class=\u0022\u0022\u003E\n                                          \u003Ca href=\u0022?page=1\u0022 title=\u0022Go to page 2\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003E\n              Page\n            \u003C\/span\u003E2\u003C\/a\u003E\n        \u003C\/li\u003E\n                                      \u003Cli class=\u0022next\u0022\u003E\n          \u003Ca href=\u0022?page=1\u0022 title=\u0022Aller \u00e0 la page suivante\u0022 rel=\u0022next\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003EPage suivante\u003C\/span\u003E\n            \u003Cspan aria-hidden=\u0022true\u0022\u003ENext \u203a\u003C\/span\u003E\n          \u003C\/a\u003E\n        \u003C\/li\u003E\n                          \u003Cli class=\u0022pager-last\u0022\u003E\n          \u003Ca href=\u0022?page=1\u0022 title=\u0022Aller \u00e0 la derni\u00e8re page\u0022\u003E\n            \u003Cspan class=\u0022visually-hidden\u0022\u003EDerni\u00e8re page\u003C\/span\u003E\n            \u003Cspan aria-hidden=\u0022true\u0022\u003ELast \u00bb\u003C\/span\u003E\n          \u003C\/a\u003E\n        \u003C\/li\u003E\n          \u003C\/ul\u003E\n  \u003C\/nav\u003E\n\n          \u003C\/div\u003E\n","settings":null},{"command":"css","selector":".poursuites-de-lecture-articles .ico-arrow-r","argument":{"display":"block"}},{"command":"css","selector":".poursuites-de-lecture-articles .ico-arrow-l","argument":{"display":"none"}},{"command":"css","selector":".poursuites-de-lecture-articles","argument":{"display":"block"}},{"command":"css","selector":".poursuites-de-lecture-parutions","argument":{"display":"none"}},{"command":"insert","method":"html","selector":".poursuites-de-lecture-bouton-tag","data":"\u003Ca href=\u0022\/tags\/impressionnisme\u0022 class=\u0022btn btn-primary text-right float-end\u0022\u003EImpressionnisme\u003C\/a\u003E","settings":null}]